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Mercutio

Who is a minor, yet the most distinct and unique character in all of the Bard’s works? It is Mercutio, a kinsman of the Prince and also a deep friend and confidant of Romeo. He is the “notorious scene stealer” (Utterback), who steals the spotlight and shines it upon himself no matter what the situation is; even when he is talking about sex or when he is dying. He is quick. He is witty. He is the Mercury, or the messenger, of the play. Mercutio, an essential man in the tragedy, plays the role of plot-maker, spiritual influence, and the man of literary tricks. Mercutio is never seen as a handsome man or a dignified man in any of the plays. His body is going here and there, always full of energy. His voice is up and down, expressing the satire or bitterness in his heart. Although his words are dirty, it carries wits. Mercutio finds love as a physical pleasure and mocks Romeo’s love as he cries out “The ape is dead, and I must conjure him. I conjure thee by Rosaline’s bright eyes, By her high forehead and her scarlet lop...” (II.i.15). In this short quotation, Mercutio mocks the idiotic love that Romeo has for Rosaline as Romeo is ready to do anything for his love. The statement about Mercutio’s feelings toward love can be supported again when he says “If love be blind, love cannot hit the mark.” (II.i.33). Bawdy Mercutio is now saying love is to have sexual intercourse, as “mark” is supposed to be a sexy woman. Mercutio is a playful, sexual, comical character who deals with others love and plays around with words.